Soft synths can be played via MIDI using the keyboards that I already own.Logic Studio is compatible with all the most popular third-party music hardware, software, and plug-ins. This may be the best news of all for you.In days of yore, I primarily bought a keyboard because of the sounds it contained. No longer am I limited to the sounds that reside on my keyboard. SOUNDS AREN’T JUST ON THE KEYBOARD ANYMORE It is intentionally designed to be dark and high contrast so it’s not brightly disruptive and and it doesn’t get washed out under stage lighting.
#Apple mainstage logic Patch#
Once I get the layout like I want it, and I build my patch list, come rehearsal or performance time, I will choose the full screen mode and have the most handsome, largest interface I’ve ever experienced. To connect or assign an onscreen knob to a real one on my keyboard, in the layout view, I simply click the memorize button, choose the button I want to assign, wiggle a knob on my keyboard and it is now linked to the button on the screen. If I don’t like the interface, it’s my own fault because all the controls, knobs, meters and more that I want to see can be easily dragged into my customized on screen interface/ control panel.
Say goodbye to the tiny keyboard interface screens with green computerized text. Let me share with you some of the high points about this new world of empowerment. When it comes to using traditional keyboards, quite frankly, we’ve tolerated way too many limitations for far too long. Setting sound volume by track (layer) is the same as it is in Logic. Layering sounds is just like setting up mixing tracks in digital audio software, that’s because MainStage 2 uses the Logic 9 engine to make the magic happen. By the way, I have access to all the sounds in Logic Studio and GarageBand which include more than 20,000 royalty-free Apple Loops, 4,500 presets, 1700 sampled EXS instruments and all six Jam Pack collections, so there are great pre-made sounds to choose from right out-of-the box. As I build my concert in MainStage 2, I can group patches by song and configure every nuance for my instruments such as volume, reverb effects and layering. Most all of the patches that I will play will be soft synths that I have loaded on my computer. (From here on I will use the terms patch, sounds and instruments interchangeably.)
#Apple mainstage logic software#
With MainStage 2 I’m able to build what the software terms a “concert” which is actually a patch list. The audio outs of the computer (or if I choose, the audio outs of a FireWire interface) will be sent to the house mix. I will turn the volume down on my keyboard, MIDI my keyboard to my computer, and use my keyboard as a controller for MainStage 2 and the software synths that reside on my MacBook Pro. No multiple keyboards, no submixer, no effects processor, yet I will have more musical power than I’ve ever had before.
#Apple mainstage logic pro#
This Christmas I will walk into the high demands and expectations of the church Christmas production with one keyboard and my MacBook Pro in tow.
Let me tell you why I’m so excited about the discovery of MainStage 2.
With Logic Studio I’m able to masterfully handle all aspects of audio production from studio work to live performance to digital mastering of Cds and MP3s. 6 which is a general purpose mastering and authoring CD tool. Logic Studio includes more than 200 new features that simplify complex tasks such as Waveburner1. MainStage 2 is live performance software, part of Apple’s Logic Studio, which also includes Logic Pro 9 to make and record music and Soundtrack Pro 3 for post production. In fact, exploring Apple’s new MainStage 2, has been reminiscent of the feeling I had as a five year old barreling around the corner on Christmas morning, ripping open a bounty of goodies. However, a recent discovery has me saying ‘Bring on Christmas!’, even though it’s still months away. Dozens of configurations of sounds have to be called into action in a split second without missing a beat.Triggering sounds, adjusting volume levels and managing processor effects – not to mention playing the correct notes – can be daunting. Maybe at your house of worship you’re fortunate enough to have a full orchestra to provide your instrumentation, but for many churches, including mine, the sounds of the season will come primarily from keyboard synthesizers.įew appreciate how stressful managing multiple keyboards during a live performance can be. When it comes to music, for me, Christmas is indeed the most wonderful time of the year.
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